Salman Khan Performance-Rockstars 2006

Yuvvraaj Wallpaper & Poster

Yuvvraaj Movie Review

Review by Rajesh singh....
If you like good movie then you have to go for it....


it's a great movie from start to end. everything is perfect ,i think this is best film of 2008,salman khan prove that he is a superstar.he deserves an award for his good performances.he is the highlight of the film.The chemistry between salman and katrina is superb.
Anil kapoor was excellent in his role and zayed khan also did a great job.Subhash Ghai came back with a bang with Yuvvraaj.it is a class film. its sure to make an longlasting impact on the true movie lover and understanding audience.
cinematography by kabir lal is wonderful. Music legend A.R.Rahman is at his best. Tum meri dost ho, and all songs are chart busters. Great film. Must watch.....

Come oooooooooooon friend's.........wake up go for it............

Yuvvraaj Movie Review

By Taran Adarsh, November 21, 2008


Every step you take, every move you make... we'll be watchin' you. Have altered the lines of a famous song. For, this one's applicable for Subhash Ghai, a proficient storyteller, one of the most successful stories from this side of the Atlantic. Irrespective of how his films are received at the ticket window, Ghai's movies are always under scrutiny. You watch every film with a magnifying glass.
YUVVRAAJ is no exception!Ghai's forte has been drama. Recall the dramatic moments in KARZ, VIDHAATA, MERI JUNG, RAM LAKHAN, KARMA, SAUDAGAR. He re-visits the genre with YUVVRAAJ. Besides, YUVVRAAJ is his most opulent work thus far. It has a sweeping effect, the film makes a stunning visual statement.
Honestly, YUVVRAAJ isn't Ghai's best work, but post YAADEIN, KISNA and BLACK & WHITE, YUVVRAAJ salvages him, even redeems the storyteller.
The story [Ghai] mirrors a universal truth. Greed leads to disputes and in turn, ruins all relationships. A fact you've heard or witnessed time and again in real life. While the story is captivating, the screenplay doesn't really do justice to the thought. Also, Rahman's music acts as a soothing balm, but the problem is, it takes time to grow on the listener. And that could be a deterrent.
Yet, in all fairness, YUVVRAAJ is a notch above the commonplace. If you intend spending your hard-earned money on it or devoting 3 hours of your precious time on Ghai's new outing, chances are you won't regret it.

Deven Yuvvraaj [Salman Khan] is a chorus singer, in love with Anushka [Katrina Kaif]. Her father Dr. Banton [Boman Irani], however, is dead against this relationship. Things take a turn when Deven's father passes away and he returns to London to stake claim on his father's wealth.
He meets his two estranged brothers Gyanesh Yuvvraaj [Anil Kapoor] and Danny Yuvvraaj [Zayed Khan] after almost twelve years. But things aren't hunky-dory between them...
Ghai has an eye for visuals and every frame of YUVVRAAJ seems like a painting on celluloid. Unmistakably, that's the first thing you notice as YUVVRAAJ unfolds.
It takes time to absorb YUVVRAAJ. In fact, Ghai doesn't open all his cards at the very outset. It's only when the father [Javed Shaikh] passes away and Mithun Chakraborty, the Executor of the Will, enters the scene that the wheels start moving.
The film gathers momentum after the interval. If the first hour has a few by-now-famous Ghai scenes, the second hour sees Ghai in form, with a number of sequences staying in your memory. The penultimate 20-25 minutes are the best. Watch Anil go through the handycam with disbelief, watch Anil and Salman's act during the concert, watch Salman's emotional outburst towards the end... also the titles [brings back memories of OM SHANTI OM].

On the flip side, the screenplay is erratic. There're constant highs and lows in this journey, the film works in patches. In fact, the screenplay falls prey to predictability and mediocrity at places.
Ghai handles the dramatic scenes with flourish. Rahman's music is soothing, but you expect more because Ghai's movies are embellished with lilting music that you recall even after 2 or 3 decades. Kabir Lal captures the striking beauty of Europe well. The output is superb. The sets [Omung Kumar] are truly majestic.
YUVVRAAJ belongs to Anil Kapoor, who towers above the entire cast and delivers a natural, believable performance. Salman's looks are inconsistent. At times the boyish look is intact, at times he looks bloated. Ditto for his hairstyle. His performance, however, is better, mainly towards the finale. Zayed tries hard and convinces in a few scenes. Mithun Chakraborty is fantastic in a brief role.
Katrina looks angelic. Despite the focus being on the three men, she registers an impact. Boman Irani is credible, especially in the scene when he steps out of the Operation Theatre towards the end. Aushima Sawhney is confident. Anjan Srivastava and the pack of villains/vamps look straight out of RAM LAKHAN and TAAL.

On the whole, YUVVRAAJ is interesting in parts, with the penultimate 20/25 minutes taking the film to an all-time high. At the box-office, the package [a mammoth cast, Subhash Ghai, A.R. Rahman, the stunning locales of Europe] should ensure a hearty opening and with no major opposition in the forthcoming week, it should keep its investors smiling.

Yuvvraaj Music Review

Review by Aakash Gandhi.....
Salman Khan - “When Rahman and Subhashji come together, they give you the best music. The music of Yuvvraaj is outstanding. Its very soulful, peaceful and carries a sweetness of its own with powerful lyrical value.”

IT’S OFFICIAL! By some astonishing miracle, 2008 WILL be a memorable year for music. Yes indeed! But that miracle has come solely by way of Allah Rakha Rahman (ARR). Because without the outstanding music of Jodhaa Akbar, Ada…A Way of Life and Jaane Tu Ya Jaane Na, the year is arguably one of the worst in recent times littered with mediocrity and devoid of what we all know and love to be the ‘essence’ of music, it’s soul and passion. This is largely due to the complacency of other music directors who have lost their focus but let’s not dwell on them. Because this is the era of Rahman and this is the year of a maestro who has truly been a ‘godsend’ (no pun intended) for all music lovers.

And thankfully there has been little delay with his latest, Subhash Ghai’s much anticipated Yuvvraaj , a musical about family bonds, love and the arrogance and overconfidence of contemporary youth (sold under the banner “everyone want’s to be a rock star!”), in particular three siblings (Salman Khan, Anil Kapoor and Zayed Khan) and a lead cellist (Katrina Kaif). So just as with Taal, Rahman’s music is expected to feature in a big way, says the director:

Subhash Ghai- “Like Taal, Yuvvraaj is based on music. I've told Rahman, Yuvvraaj belongs to two people, Rahman and Subhash Ghai, in that order. All the main characters are musicians in Yuvvraaj."
Any comparisons to Taal are consequently inevitable but unfortunate as that is a true classic and a perfect score in so many ways but if anyone can do it, it’s the legend himself! So having set the scene dear listener, it is time to head towards the soundtrack and as long as you are prepared to stick by it, another journey into musical heaven beckons….

A journey starting with Symphony No.5 (Beethoven) is setting some precedence for the OST. The first track Main Hoon Yuvvraaj does exactly that (performed by Chennai String Orchestra) and provides a short introduction to the movie with vocals by none other than Salman Khan himself. In this he reveals a number of interesting cues but one thing is for sure….he is a 'bad guy' and he is Yuvvraaj out to prove he can be a superstar with his singing!

And his first attempt at stardom comes immediately with the next track, the quite wonderfully composed Tu Meri Dost Hain. The music, starting on a simple note, is eerily soft yet ever so alluring eventually developing into a blissful tune that will undoubtedly mesmerize you upon repeated listening. But why are you surprised? These are the hallmarks of classic Rahman! In particular the melodious cello play just takes the track to another level and the accompanying symphony effects are fabulous as are the dovetailing beats…everything links together so harmoniously, I am simply at a lost for words to describe the beauty of this composition. Special mention also to Gulzar saab for his gifted lyrics that add so much meaning to the song. Furthermore it appears that Rahman’s singing dynasty has added another sensation in the form of Benny Dayal (who also sang in Jaane Tu..) who sings in stunning fashin alongside the maestro himself. But it’s Shreya Ghoshal’s entry midway through that is a masterstroke and just the icing on the cake. Honestly, if it wasn’t for Rahman’s earlier release this year from Jodhaa Akbar i.e. the amazing Khwaja Mere Khwaja, this would be my pick for the most outstanding track of 2008. Genius!

A.R.Rahman- “Subhash Ghai is very different from other directors. He has really worked hard on the visuals. They look really colorful and really romantic. It’s almost treated in a musical way where it’s more realistic than just background music.”

Ok it’s now time for some party as the spotlight moves onto Zayed Khan and so beckons the next track Shano Shano. Let’s be honest from the outset, this is the weakest track of Yuvvraaj by some distance. However it’s not a total disaster when you take it in the context of the movie. Yes the music sounds like something out of a 1980s disco floor but if Zayed wants to groove to some chaotic music, as a composer, that is what you have to deliver! At the very least Rahman provides variety with some interesting musical instruments (it’s not all synth) and the use of multiple singers including Sonu Nigaam, Srinivas, Karthik, Timmy, Sunaida, Vivienne Pocha, Tina. Lyrics are about as good as they get for such a track. This is passable but the soundtrack offers so much more so let’s move on. Incidentally Shano Shano Remix by Krishna Chetan contains more vocals by Ember that are reminiscent of a ‘bad boy’ Yuvvraaj and hence the song is quite fitting for the movie. Nice alternative but nothing more.

After that minor blip, the soundtrack diverts itself onto the SOUL of Yuvvraaj with the utterly spellbinding Tu Muskura. The cello marks a sensational return and solo cellist V.R. Sekar and Elidh Martin (K M M C Faculty) do Rahman proud with some fine performances. Their cello play is underpinned by a percussion that hypnotises you soothingly from the start and keeps you firmly in a trance until the very end. As if that wasn’t enough, the allure of a previous melody (belonging to Tu Meri Dost Hain) sweeps past you briefly as Rahman magically weaves it into the song via the deft strings of Seenu's Mandolin play.

And yet, we have not even discussed the true catalyst of the song. So many have written her off but Rahman as we know, is loyal to his singing dynasty. And so marks the return of an old favourite: Alka Yagnik. Well in my opinion (based on her singing here) it will be a travesty if she is not nominated for the best female playback singer (award) for a performance that is as mesmerizing as the musical backdrop that she sings against. She is simply a transformed singer here, sometimes unrecognizable and from recollection, her last performance of such magnitude was Rang Hai (Meenaxi: A Tale of Three Cities) which confirms the mastery of ARR over his singers. Javed Ali did a great job in Jashn-e-Bahaara but plays second fiddle here to the bewitching vocals of Alka. Gulzar’s lyrics grab your inner soul and churn out what is left of your emotions… WOW! This is definitely one step closer to musical heaven….you could quite literally waste away hours, even days listening to this soul stirring masterpiece!

Gulzar- “When I saw the songs of Yuvvraaj on screen, I sent a message to Rahman saying that they were magnificent, and this is a very honest opinion of his songs and picturisation. Great showman puts up a great show! I think the performances of Subhash’s Yuvvraaj will go a long way in carrying this film ahead. It touches your heart.”
After such an emotionally draining roller coaster that was Tu Muskura one feels the need for a break and a diversion. Rahman duly obliges with Mastam Mastam, a delightfully uplifting track that also ranks as the most innovative of the soundtrack and also one of the best of 2008. The music is simple yet oozes witchcraft (the dhol and cello in tandem, play mind games on you like you have never heard before!), playful but at times melancholy, witty but with an underlying message. The interaction between the singers, Sonu Nigaam (outstanding as ever), Alka Yagnik, Naresh & Benny, is another highlight as are the incredibly unique and diverse lyrics, hats off to you Gulzar saab! Where Mastam Mastam lacks in instant attraction or a catchy melody, it more than makes up for after repeated listening and becomes an extremely enjoyable outing. Just be ready to click your fingers to one of Rahman’s most underrated song of 2008.
Shridhar (Sound Engineer – Yuvvraaj) - “I think its gonna rock, well, its gonna orchestrate… It’s going to reach a lot of people… and touch their minds and souls…”

The soulful journey of Yuvvraaj ends with Zindagi in which the composer continues to amaze in more ways than one. Depending on your preferences and mood swings, you could potentially enjoy this more than Tu Muskura. First up expect to be blown away by the Woodwinds play by P M K Naveen Kumar. If you recover from that, there is the enticing piano and strings of the Chennai String Orchestra. Rahman’s fusion of these incredible sounds is the best remedy for a stressful mind! The distinct vocals are instantly recognizable but this is not Hariharan listeners, this is Srinivas, another long time favourite of Rahman who also sang in the brilliant Yeh Jo Zindagi Hai (Earth 1947). In fact with such awesome vocals, one wonders why we have not heard more from him. Gulzar outdoes himself once again and for his complete collection in Yuvvraaj, runs away with the best lyrics of the year award. Zindagi is another must listen.

The penultimate track Dil Ka Rishta is a diversion of a completely different kind that takes you by complete surprise! Initially you don’t realize as a beautiful piano introduction is cut short by a cello play but your senses are instantly awestruck by the powerfulnature of the drums and the full-blown orchestration that follows immediately after that. Welcome to the PASSION of Yuvvraaj and another unique twist to the soundtrack! This one has it all; a catchy tune, peppy beats, symphony orchestra, English verses (by Blazze) and some killer vocals by Sonu Nigaam, Roopkumar Rathod and ARR himself. Rahman puts this potpourri of ingredients to amazing use and delivers another winner even thought strictly speaking, the song is clearly situational and is attached to the relationship of the three brothers in the movie. Fascinating yet irresistibly Rahman!

Manmohini Morey ends the OST with a short classical piece that Rahman enhances with the use of synth to suit the taste of modern listeners. Vijay Prakash provides the vocals against Gulzar’s verses. Undoubtedly a commendable effort with addictive nuances, the track is too short to make any lasting impression. However do listen out for the chilling return of the cello fromTu Muskura around the 1:50 mark…clearly the maestro couldn’t resist one last rendezvous!

So where does Yuvvraaj OST sit in the hallmarks of all time great Rahman soundtracks? It will probably be years before we can answer that, will it stand the test of time? Without question. However what is clear is that it is not flawless in its execution like say a Taal OST which was perfect from A-Z. However we cannot underestimate the impact the soundtrack will have on the movie, the potential is colossal whatever the fate of the movie at the box office.

Comparisons with his other releases in 2008 are also unnecessary and futile. Each one stood it’s own tests respectively and more than satisfied audiences, fans and producers/directors alike. With the odd exception, everything else (outside of Rahman’s court) this year is so far behind for quality it’s embarrassing. So instead, let us simply rejoice this moment, your moment, the minutes, the hours, the days and the year 2008 when our finest music composer (at least of this era) gifted us an unprecedented array of compositions that became for us, Musical Nirvana in several guises…Yuvvraaj sits proudly towards the top for having outstanding music.

And in case you are wondering, the magic continues shortly with the soundtrack to Ghajini (Remake) …long live the legend. Long live A.R.Rahman.

Subhash Ghai (to Rahman): “Now that most of the popular Hindi film songs are only about disco and Punjabi folk music, does it makes sense to make a musical like Yuvvraaj?” Rahman's response: “Why not? If you get out of your comfort zone…go for experiments and innovations….new music will happen!”

Heroes Movie Review

By Taran Adarsh, October 23, 2008

Jog your memory a bit. Samir Karnik's first two movies [KYUN HO GAYA NA, NANHE JAISALMER] have been critical and commercial disasters. But Samir has assembled an impressive cast for his new outing HEROES. The billboards look really impressive. You think, chalo, dekhte hain, will Samir deliver this time? Will his fortunes change for better? Come to think of it, you saunter into the auditorium with zilch expectations. HEROES is an underdog.

Before we delve any further, let's clear a few misconceptions pertaining to this film. Just because the promos highlight the men in uniform, it doesn't mean HEROES is a 'war film'. Sure, it talks about love for the nation, but HEROES is not anti-Pakistan, is not jingoistic either, is nowhere close to BORDER, LOC and the likes, in terms of content.

HEROES talks about a journey undertaken by two boys and the three letters they've to deliver to the families of the deceased. HEROES is more of an emotional experience, how each family copes with life after their beloved has become a martyr.

Besides evoking strong emotions, HEROES also arouses strong patriotic feelings. There're moments in the film that compel you to salute those who guard our nation, so that we can sleep in peace. At the end, the message it delivers is simple -- You don't have to be a soldier to love your country.

Back to the two pertinent questions we raised at the outset. Question 1, Does Samir deliver? HEROES is a revelation. Cinema is all about narrating stories and Samir proves that he's a proficient storyteller. Question 2, will he prove lucky this time? Well, HEROES has all it takes to strike a chord, with family audiences mainly. The moments linger in your memory much after the show has concluded.

Final verdict? HEROES salutes the heroes who guard our nation. It's a powerful film. A moving experience!

HEROES is the story Sammy [Sohail Khan] and Ali [Vatsal Sheth] who travel a thousand miles to deliver three letters as a part of their film school assignment. But little do they know that the journey they have embarked upon will give a new meaning to their life.

HEORES unfolds in three chapters. But before that you get to see the wild side of two misled youth who don't take life seriously. The first chapter, Salman-Preity, is the highpoint of the film. The emotional moments in this chapter are worth applauding. Note the moments between Salman-Preity and also between the kid [Dwij Yadav] and the two youth. The scene at the Indo-Pak border -- the fence dividing the two nations -- is amazing. Watch Preity missing her husband and also embracing his uniform. Another brilliant stroke! This chapter deserves a 10 on 10 for its high emotional quotient and captivating performances.

Chapter 2 is slightly less impactful than Chapter 1. The portions between Sunny and Bobby are well executed, but the writing isn't as compelling. Yet, the fight sequence -- when a group of hooligans act smart with Sunny's girlfriend [Hrishitaa Bhatt] -- is superb. Sunny's 'dhai kilo ka haath' and the way it shatters the tiles on the floor leaves a strong impact. Watch this sequence with the masses and you'd only hear whistles and claps. Another scene from this chapter -- Sunny paying his last respects to Bobby -- is moving.

The third chapter [Mithun, Dino] is the softest link. Nothing wrong with the writing or its execution, but something is missing, the pace suddenly dips. The match in the end works mainly because it has been edited well.

Samir Karnik takes giant strides as a storyteller. Binod Pradhan and Gopal Shah's cinematography is top notch. The DOPs have done complete justice to the panoramic locales of North India. Sajid-Wajid's music is a major asset. 'Mannata' is the pick of the lot. What a soothing composition! Ditto for 'Makhana' [filmed on Sunny, Bobby]. Dialogues are magnificent at places.

The ones who leave the maximum impression in this multi-starrer are, in this order, Salman [superb; one of his finest works], Preity [outstanding; has spoken Punjabi so fluently], Sohail [pleasant surprise; evolving into a very fine actor], Sunny [very likeable] and Mithun Chakraborty [mature]. Bobby is effective in a cameo. Wish he would've got more footage. Vatsal Seth is decent. Dino is just about okay. Dwij Yadav is first-rate. Prateeksha Lonkar is fair. Amrita Arora and Ria Sen are passable.

On the whole, HEROES is a genuinely well-made film with strong emotions as its trump card. At the box-office, the pre-Diwali dull phase notwithstanding, it has the merits to climb the ladder with a strong word of mouth. The film deserves to be tax-exempted for its noble theme and noble intentions.

Yuvvraaj Theatrical Trailer

Yuvvraaj Movie Review-II

Reviewed by www.india.com

The very name of Subhash Ghai springs up imagery from Karz, Karma, Ram Lakhan, Khalnayak, Taal etc, and with such a repertoire it is only expected that he will deliver another box office biggie.

Ever since the first promos hit TV screens, YUVVRAAJ has developed a massive fan following, and when the music CD arrived, the interest only doubled. So was YUVVRAAJ worth the wait? Surely!

Coming to the story, the film is about three brothers, Salman Khan, Anil Kapoor and Zayed Khan; Salman Khan has a rivalry with the mentally challenged Anil Kapoor. The father is infuriated and throws Salman out of the house (mansion actually). Salman becomes a choir boy in Prague where he finds the love of his life (Katrina Kaif), a cellist. He can't marry her because her billionaire dad (Boman Irani) doesn't approve of Salman's impoverished situation.

Hoping to change his fortunes after the death of his dad, he rushes home to inherit the family millions, only to realize there's nothing left for him and his younger, equally roguish brother, Zayed Khan. Nerd Anil has been declared the sole heir, with sundry greedy relatives eyeing the moolah around him. Time for the dysfunctional family to outwit each other and split or to outsmart the outsiders and come together, once again.

Laced with overtones citing the arrogance and overconfidence of contemporary youth, the moral in this fable quite obviously stares back at you. But there is so much style in the execution, the cliches seem to fade away as this grand movie rolls.

But the heart of YUVVRAAJ is the exquisite music by A.R Rahman, who has given an awesome tribute to Beethoven - Gulzar's beautiful poetry along with Rahman's music is something extraordinary to behold. Cinematography by Kabir Lal is excellent. Every single frame seems like a splendid portrait as Kabir Lal's colorful palette illuminates the screen. Art Director Omung Kumar has done yet another fabulous job after the masterpiece 'Black'.

Yuvvraaj belongs to Anil and Anil alone. One can now call Anil a 'Bollywood veteran' because he deserves every bit of the praise. His career in the new millennium has undergone a metamorphosis and he proves here just how. His Hollywood film 'Slumdog Millionaire' releases next week and we just can't wait.

Salman Khan basically plays himself, a spoilt rich boy, and he does so with ease. He handles the emotional scenes much better than he did in 'Hum dil de chuke sanam'. Zayed Khan is lost in translation, he has no clue of the script or the performance required of him. Katrina Kaif looks fabulous and does exceedingly well. We could've done with more of the Sallu-Kat scenes for their chemistry is sizzling.

Director Subhash Ghai makes a nice comeback after the misbegotten Yaadein, the ludicrous 'Kisna' and the underwhelming 'Black and White'. Like Ghai, Yash Johar needs to wake up from hibernation too.

The script is shoddy at times, the energy rises to a peak in certain moments, but the ride to the strangely inept climax is quite uneven. Although the sumptuous music, classy visuals and the fine acting make up for the script. YUVVRAAJ is worth the trip to the multiplex. Enjoy it while its hot.

Yuvvraaj Music Review-II

Rahman is back with a bangEvery 6 months A.R Rahman dishes out a brand new album or a soundtrack or a background score for a big Bollywood movie - an avid music listener waits eagerly with anticipation to listen to new Rahman material. We managed to get out hands on the music CD of Yuvraaj a couple of hours ago and gave it a listen.

Yuvraaj stars Anil Kapoor, Salman Khan, Mithun Chakraborty, Zayed Khan and Katrina Kaif in the leading roles. The film marks the return of Subhash Ghai in the director's chair after a brief hiatus.

According to the director, the film is about the arrogance and overconfidence of contemporary youth. You don't need to be a quantum mechanics expert to know that the legendary A.R. Rahman provided the music for Yuvraaj.

The album starts off with Tu mera dost hain which is sung by Benny Dayal and Rahman's favourite Shreya Goshal. The opening lyrics transcend the listener to a new realm but the song loses steam as it progresses.

Tu Muskura has Alka Yagnik and Javed Ali providing the vocals. The song is sweet, soft and melodious... just turn up the volume, sit back and relax... the song drifts you away to a wonderful place in your head. This is easily one of the best tracks of the album.

Mastam Mastam is trendy, jovial and a cool track sung by the sprightly Sonu Nigam. The track has some exquisitely funny lyrics laced with some great music and tempo that only heightens the fun. The last minute of the song particularly will have you jumping about.

Zindagi has Srinivas singing the vocals and he captures your heart in a jiffy. The song evokes memories of the ups and downs of your life. The track grabs you and simply never lets go. I heard this song twice before jumping to the next.

Dil Ka Rishta has a haunting piano piece at the beginning at gets those goosebumps streaming down your skin. Things take a U Turn when the keyboards kick in and the western music wins your heart. Sonu Nigam, Roop Kumar Rathod, A R Rahman, Clinton Cerejo, Suzanne D'Mello, Vivinenne Pocha have done an awesome job with the vocals.

Man Mohini has Vijay Prakash providing the vocals and features electronic beats to juice up the track. If you listen carefully, there is a sample of Rahman's own 'tanna dhoom tana' with an electronic twist.

Shanno Shanno Sonu Nigam, Srinivas, Karthik, Timmy, Sunaina, Vivienne Pocha & Tina providing the vocals and the track is a hip hop number packed with a few electronic sounds. It is a sort of an earsore after listening to the other wonderful tracks.

Vis a vis, the album of Yuvraaj is very satisfying! Except for 'Shanno' and its remix, there is not a single song that is underwhelming. A.R Rahman has once again proved that he is the undisputed Demi God of Bollywood scores. Buy the CD, its definitely worth a listen.

God Tussi Great Ho-Movie Review

By Taran Adarsh, August 15, 2008

When it comes to escapist cinema, a gifted writer can make his imagination run really wild. Think of a crazy story, come up with outrageous and zany situations, rope in actors who'd look believable in those parts... hey presto, a crazy potboiler is ready to be served.

Rumy Jafry, who has penned some crazy comedies in the past, does just that. He borrows [partly] from BRUCE ALMIGHTY, also [partly] from YEHI HAI ZINDAGI [Sanjeev Kumar] and [partly] uses his imagination to come up with GOD TUSSI GREAT HO. But this khichdi isn't as delicious as one expects it to be.

First, the plusses!

GOD TUSSI GREAT HO has some really interesting moments. At least two sequences -- [i] When a dejected Salman throws the taveez in the air, the taveez reaches God, later God appears in human form and [ii] Salman invents a chair that acts as a lie detector and teaches Sohail Khan a lesson -- are pure magic in terms of writing, in terms of execution, in terms of performance.

Another ace is Salman Khan. The boyish appeal, the mischievous look, the loud-but-lovable act just cannot be overlooked.

But GOD TUSSI GREAT HO isn't as captivating and arresting at times. The potential to come up with an energetic second half are immense in a film like this, but Rumy Jafry's writing is plain mediocre. Besides, the second hour is lengthy, it gets tedious ['Lal Chunariya' song should be deleted right away]. Also, the pre-climax and climax don't sweep you off your feet.

In a nutshell, GOD TUSSI GREAT HO does appeal, but in bits and spurts. Not in totality. An average experience!

At the end of the worst day in his life, Arun [Salman Khan] angrily rages against God for making his life miserable. To his astonishment, God [Amitabh Bachchan] appears before him in human form and endowing Arun with all of His divine powers, challenges Arun to take on the big job and see if he can do it any better.

Arun responds to his newfound powers with childlike zeal and sets off making one decision after another. The love of his life Alia [Priyanka Chopra] is astonished at the 'new' decisive and confident Arun. He thinks he can make the world a happy place by granting everybody their wishes.

But to his horror, this results in unprecedented mayhem. Ultimately, Arun realises that he is only human, and being God is tougher than he thought.

Rumy Jafry has penned several solid entertainers for David Dhawan and the formula looms large all through GOD TUSSI GREAT HO. Rumy rides on myths and comedy to get it right and it really works at times. However, after a point, the writing doesn't spring any surprises. You know exactly what's in store next and that's what bogs the film down.

In terms of impact, the best portions are between Bachchan and Salman, between Salman and Anupam Kher and between Salman and Rajpal Yadav. These tracks charge up the scenario. But how one misses a meatier script in the second hour.

Directorially, Rumy Jafry's work gets easier thanks to the presence of seasoned actors. But he needs to polish his skills as far as technique is concerned. The film could've been stylishly shot. Sajid-Wajid's music is strictly okay. However, the picturisation of songs camouflages the deficiency. Ashok Mehta's cinematography is perfect. The production design/making could've been grand, given the presence of such powerful names in the cast. Special effects lack finesse.

As always, Amitabh Bachchan is competent. But GOD TUSSI GREAT HO belongs to Salman Khan, who seems to be in form this time. Priyanka doesn't match Salman's enthusiasm. Also, why is her look so inconsistent in the film? Sohail Khan is alright.

Anupam Kher is fantastic. Bina Kak is fair. Rukhsaar doesn't get much scope. Rajpal Yadav provides a few laughs. Dalip Tahil is as usual. Upasna Singh is getting typecast. Ditto for Sanjay Mishra.

On the whole, GOD TUSSI GREAT HO is average in merits, providing a few laughs intermittently. At the box-office, the holiday weekend should benefit the film. But beyond the weekend, the journey could be uneven. However, single screens should fare better in the Hindi belt.